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(0)Hermann Kappelhoff
Author
Publisher
De Gruyter
Pub. Date
[2018]
Description
The discourse of sound motion pictures has evolved to become a cultural practice through which people attempt to grasp their subjective cognitive reality as part of a shared world. By developing a poetological theory of filmic thinking and the "cinematic metaphor," this study shows how filmic images generate an understanding and thinking that introduces new differences and modalities into this shared reality.
Wenn audiovisuelle Bewegtbilder als Medien...
Author
Publisher
De Gruyter
Pub. Date
[2016]
Description
Based on the premise that a society's sense of commonality depends upon media practices of political communitarization, this study examines how Hollywood was deployed during the Second World War. It shows that Hollywood responded to the crisis of democracy in the war by creating a new genre. Using an affective theory of genre cinema, it offers a new characterization of the relationship between politics and poetics in forming commonality.
Das vorliegende...
Publisher
De Gruyter
Pub. Date
[2018]
Description
Did 1968 fail? The question is misstated. For the significance and consequences of '68 cannot be captured in a coherent narrative. That year appears as the point of culmination of a set of highly heterogeneous cultural, social, and political phenomena. Cinema, with its classics and gems to be (re-)discovered, proves to be a kaleidoscope that lets us perceive the fractures and contradictions of '68.
Ist 1968 gescheitert? Die Frage ist falsch gestellt....