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(0)Gertrud Koch
Publisher
De Gruyter
Pub. Date
[2020]
Description
Technical censorship of pictures is omnipresent and invisible at the same time. Content moderation on social media and automatic deletions by algorithms have given rise to a new union of human and non-human protagonists. While traditional institutions of censorship regulated the impact of dangerous pictures based on legal and religious norms, automated mechanisms controlled by international corporations do so today. In the public sphere of technical...
Publisher
Duke University Press
Pub. Date
[2014]
Description
Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation...
Publisher
Amsterdam University Press
Pub. Date
[2024]
Description
Featuring 28 leading international media scholars, Technics rethinks technology for the contemporary digital era, with cutting-edge theoretical, historiographical, and methodological interventions. The volume's contributors explore the ideas of Walter Benjamin, Ursula Le Guin, Bernhard Siegert, Gilbert Simondon, and Sylvia Wynter in conjunction with urgent questions concerning algorithmic media, digital infrastructures, generative AI, and geoengineering....