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(0)Céline Scemama
Publisher
Amsterdam University Press
Pub. Date
[2011]
Description
Subjectivity is a central concept in film theory, philosophy and cultural studies. It was also a key term in the reception of the Nouvelle Vague film movement in France and Italy from the start of 1945. This timely volume explores the ways in which the concept of subjectivity has made its way into film theory, history, practice and criticism, as well as the confrontations of the subject with this rapidly changing medium.Contributors to this timely...
Author
Publisher
Amsterdam University Press
Pub. Date
[2014]
Description
Technè/Technology is the up-to-date critical volume on the theories, philosophies, and debates on technology and their productivity for the fi elds of fi lm and media studies. Comprehensive as well as innovative, it is not organized around a single thesis - except the assertion that technique is a major concern for fi lm and media scholars, whether this is approached in terms of philosophy, techno-aesthetics, semiotics, apparatus theory, (new) fi...
Publisher
Amsterdam University Press
Pub. Date
[2020]
Description
Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent this novation represents a unitary current or multiple ways. The book proposes to integrate the post-cinema question within the post-art question in order to study the new way of making filmic images in new conditions more or less remote from the dispositif of the theater and in closer relationship with contemporary...